Mary and the other members of THE HORROR SHOW WITH BRIAN KEENE have a non-spoiler discussion of the cosmic horror film, THE ENDLESS Check out the latest Cosmic Shenanigans episode! The post THE ENDLESS – Cosmic Shenanigans – Ep 18 appeared first on PROJECT ENTERTAINMENT NETWORK.
This short had an interesting story that it told, one that I could see having a foundation of truth to these groups and how toxic I’d imagine some can be.
Matthew Cash paces this one well, and although I’d have liked a little more detail and background here and there it does move along at a healthy pace, that more of that detail and background might have disrupted.
I really enjoyed how the ending played out and was written, anytime a writer can make me go ‘ewwww’ is always a win for me.
Overall, this is short, and fun, with just a pinch of brutal to balance it out.
This film has been on my mind a fair bit since its release. I had mixed feelings going into it due to Prometheus. Prometheus is a movie I think is very beautiful to look at and has some decent bits in, but overall is a bit of a mess. It feels like it’s trying to tell two stories by two different camps from the production standpoint. In one camp you’ve got the urge to make an prequel film for the Alien franchise, and the other camp want to make a film about creationism. Add in some daft elements in the script (run off to one side!) and we’ve got a film which is hard to love, also the technology is massively advanced compared to the other films. I know the Prometheus is an advanced space craft but they could have easily made the tech look like that of the previous films (Sorry, this is something that really bugs me!).
The problem of what film is being made carries on into Alien:Covenant. On one side we’ve got a story about colonists wanting to find a new world to settle on, then on the other side we have the urge to look at this creationist storyline. I’ve watched this movie maybe half a dozen times now and I really believe there is a good movie in here, if you take away that creationist element, and some of the dumb-ass choices the characters make. There’s a bit early on about a funeral that shows there is friction between the characters, but it feels ham-fisted. The funeral is forbidden due to repairs needing to be done, but the repairs could wait and the funeral is brief. It feels like it’s there just to create conflict.
If they took away the David storyline, the plot device of wondering off to another planet and just had a story about colonists arriving at a new planet to then find it was once inhabited by an alien race that died out. Then they find an egg and chaos ensues. Why couldn’t we have had that movie? Up until David shows up we’ve got the makings of a really good atmospheric horror movie and then it slips into a psycho-robot-with-delusions-of-being-a-god movie.
When I think about the original Alien movies they were pretty straightforward. Horror and action pretty much, what you saw was what you got. They never really felt like there was a grander story happening that needed to be addressed. They were just what they were. There was social commentary there, but it was subtle. You didn’t feel like you were being hit over the head with it. Maybe that’s what they need to get back to. Imagine the type of social commentary we could of had in this film if it had been about landing on a planet for colonisation only to discover these horrific aliens that had maybe already wiped out an alien species that had been on the planet before.
Where this series goes in the future, I don’t know. There’s rumours that this new generation of Ridley Scott Alien movies is a trilogy and there’s a third part coming, but this movie didn’t do especially well. So I’ve got to wonder if Fox will give it one more go, drop the franchise for the time being, or go in an entirely different route altogether.
Time will tell, but I know how I’d like it to go.
“All things in moderation.” As a child, teenager, and even a young woman in my twenties, my dad drove me insane with his pearls of wisdom. Most likely because the man knew what he was talking about. Around the time I was twenty-four, fresh out of an abusive marriage and living in my father’s house […]
Grindcast’s Matt Wildasin joins Brian, Dave, and Mary for a spoiler-free discussion of Justin Benson and Aaron Moorehead’s THE ENDLESS. Plus B&N’s demise continues, Bryan Smith signs with Grindhouse Press, the Blair Witch Experience 2018, Lynne Hansen’s art show, Brian Hodge and Christian Jensen on screen, and new releases from Ralph Bieber, John Urbancik, Wesley Southard,…
Only 149 words recorded today, but I deleted a fair few that I’ll be rewriting. So in truth I probably clocked three or four hundred today.
Yesterday a company that ran most of the UKs horror conventions went tits up. This has hurt a lot of people, including those I know and consider friends. I’ll focus on the writers just here but what I’m saying can be said for all traders at these cons. This is a big part of their incomes and more importantly it’s a great chance to meet fans and make more fans. It’s a great chance to meet up with other writers and people in the genre. A lot of people feel at home at these cons, I know I did. A lot of writers and other traders have probably lost their money from booking their tables, along with hotel bookings. They’ve also lost the chance to earn income while at the cons.
It’s really easy for something like this to happen. So if there are writers whose work you enjoy then please spread the word about their work. It doesn’t cost anything to post a review or share a post on social media. A lot of writers will share the links on their social media profiles, hit the likes and the shares. It all helps.
I love going to these Cons, and agree with what Cat and Lynx say about finding somewhere where you feel like you belong.
Sings Stain’d “It’s been a while…” Not even sure where to begin other than with the words “what a shit show.”
Yesterday we found out that all the horror cons we were booked at have collapsed. Completely, utterly crashed and burned and in the process, taken out the traders with it. We rely on these cons for sales, for meeting new readers and for meeting friends. We’ve built up a lot of friends at these events, people we would never have met otherwise. And it’s not just us. It’s the customers too. People like us, who don’t fit in with normal society, who have found friends and acceptance at horror cons. Horror people are the most accepting, non-judgemental people. They’ve now lost out and are as gutted as we are.
We’ve already paid out for four tables at four events: London, Liverpool, Bristol and Birmingham. London got postponed three weeks…
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